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7S: Sweet, sweet, Candy Crushed

Sweet!Have you crushed some candy today? Well.. if you have,, welcome to the glorious world of 66 million fellow crushers, making it the most popular game ever to be installed on our phones, iPads – or played on Facebook. Apparently some people even become addicted…

So how does a massively successful game like Candy Crush fit within the 7S framework? Here is a short breakdown:

Simplify Tunnelling/easy rules Step by step instructions on candies
Sign-post Linking to further information located elsewhere Walk through websites (externally provided)
Self -relevant Customising the user experience Platform used (?)
Self-supervise Track progress towards a specific goal Levels & comparisons with friends/ invites from friends
Support Offering of support and celebrating user achievements Sweet messages
Suggest Timely suggestions for further improvements “Looks like you are stuck” messages
Socialise Sharing of success through social networks Total integration with facebook

As you’d expect, it does pretty well… I’d say 6.1 out of 7. Here’s why:

Signposting: Candy Crush is an easy game (match three candies), but gets more complicated as the game progresses. The rules are clearly laid out as the player progresses through the levels, so each individual rule is easy to follow.

Sign-post: There is plenty of other information available on how to complete levels when you search the web. This isn’t signposted in the game itself tough, which is not 100% “7S comliant”, but easy to find (and advertised) – 0.1 for that ;-)

Self-relevant: Candy Crush  itself only lets you customise very basic options, it could probably do more here. However, the icon used to represent “you” (and your friends) is the player’s facebook profile picture – so the experience integrates the player virtually into the game.

Self-supervise: The game is totally self-supervised – and gives the players plenty of options to check how well s/he is doing. The players can see the level they have reached, the “stars” and compare how their friends did (and where they are).

Support: The game offers a constant stream of supportive messages: if several candies are crushed it says “sweet” both in the form of a badge and spoken. When a level is completed, this is celebrated by “Happy Days!” announcements.

Suggest: Candy Crush offers you support messages when the player “looks stuck” (after a few attempts), telling the player to use a booster (or even purchase one). Friends can send additional moves … And just while I’m writing this, I got an email reminding me to go and crush (guess I haven’t crushed enough today!)

Socialise: Candy Crush is, above all, a social media based game. Not surprisingly the socialising is probably perfect: From asking friends for support, to telling friends that their score has been crushed… to giving extra lives… The player may be playing alone – but every move is  socialised.

Overall, nearly a perfect set of scores for this game, especially if you compare the game to many other games for mobile devices that are not half as popular. The main difference to the competitors is probably the  unique way in which Candy Crush is socialising the rather boring game experience. But it also uses pretty much all of the other elements that make social media apps so persuasive – so maybe it’s not that surprising that in a highly mobile society like, for example Hong Kong, Candy Crush is spreading like wild fire with every 7th person playing it.

Are you playing social games? Which ones do you play? Why do you play them? Do you also play other games? Are you hooked? Tell me what you think!

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Web 2.0: Are you feeling exploited?

exploitationHere’s an interesting question for social media junkies like myself:  is social media fun, or exploitation of free labour?

As part of the book I’m writing on social media marketing, I was going through critiques of social media. Of course, and as expected, there was a lot of criticism in relation to privacy concerns. However, there is also an intriguing stream of research that has been published around the  idea that social media represents essentially exploitation of free labour. The argument is, that social media relies on people contributing content, which they usually do for free. For example, I’m writing this blog for free.  I have a Facebook profile, where I post pictures, write updates  for free etc.  At the same time, Facebook (or other media platform) relies on this voluntarily and free contribution  to make money. The question therefore is, is maintaining besides basically exploitation? This is particularly interesting, as clearly, many people enjoy “being exploited” in this way.

From a traditional “economic” perspective, where consumer and producer are strictly separated, I can see the point of this critique. However, I am also gaining something in return, which seems to be unattributed for, at least in the articles that I have come across. For example, while it’s true that I contribute free labour to Facebook in the form of maintaining my profile, Facebook also returns valuable services to me. For example, staying in touch with my friends. Of course, staying in touch with my friends has no immediate monetary “value”, but is still something very valuable to me. I’m not trying to dismiss the critique in articles such as this or this, but I’m slightly surprised that the argument here seems to be largely around monetary value, rather than taking a more holistic view off what value might mean to the individual. For example, the monetary value of something that friend gave me on a special occasion, may be very little or nothing when I try to sell it. But this is something might be very valuable to me.

However, I’m quite intrigued by the argument being put forward. How do you feel? Do you think that social media is inherently exploitative?  Are we even potentially moving to a new form off capitalist exportation this article claims? Let me know what you think!

Posted in Social Media Marketing.

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Writing panic…

img_1568Oh isn’t it great that it is Friday?! Well… sort of… I’m currently feeling much more like a being a student again, and panicking about meeting deadlines, as I promised a draft of the first section of my new book on Social Media to my editor. Unfortunately, I promised him that I’d deliver everything on Monday… and that means  that this weekend is probably going to be a weekend full of writing, rewriting and editing. Just as in the good old days, I seemed to have discovered a gazillion references last week that absolutely need to be in one of the chapters, or that really make the arguments so much better… Oh well. It truly feels like in the days of doing my PhD.

Of course, I’m actually pretty happy that I have discovered so quite a bit of additional material, at least it shows I’m not totally on a nerdy island where it is me and my self and everybody else has left because I went off on a tangent so obscure even my dearest friends had no idea what I was on about. But, (un)fortunately, it also means no Great Gatsby, Star Trek, friends… or whatever else is lurking around the corner. At least, the deadline is Monday morning (and I’m quite determined to meet it, rather than claim the dog ate my USB stick), so with a bit of luck next week should be a little more relaxed. It also means, that, hopefully, by next week, I have enough fun material to do something with on the blog here.

Again a massive thanks to everyone who took part in the survey :-) !! It was great to see so many responses – and interesting to see what you, as readers, wanted to see more of. So… stay tuned… some exciting new posts are coming your way.

But in the meantime: Have a good weekend. If you are a student revising: I feel your pain! If you are out there, having fun: please let me vicariously share your fun by posting lots of great pictures on facebook or twitter or whatever social media platform you use – and looking forward to catching up next week!

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What do YOU want to see more of?

I have to admit that this year I have been (to put it mildly!) a bit lazy at blogging…. But that doesn’t mean that I’ve forgotten about the more than 3000 visitors Google Analytics says I had last month. So first of all: Thank You for being loyal and keeping on visiting!

I also thought that I have been pretty lousy as a marketer, in that I have never asked what YOU, the readers of this blog, actually want to see? Therefore, I thought the time was rip to ask you directly: What would You like to see more of?

Please click on the link below that will take you to the poll – you can vote for as many (or as little!) categories that would interest you most. It is only ONE question – I promise!

Click here for the Poll

Many thanks for taking the time to vote!

Posted in Various.


Music, Product Placement – or just a long ad?

Product placement in music videos isn’t exactly a new phenomena – in fact it has been used extensively (and sometimes by quite questionable brands). But the video by Arianna is not scoring for subtlety at all – rather it is the embodiment of the hybrid between music video and advertisement. Of course, research says that people don’t actually like too overt product placement – as it activates persuasion knowledge defense mechanisms. This begs the question… how overt is acceptable?

Posted in Marketing Communications.

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The Movie Poster – A space for Product Placement?

img_0855Just in case you ever wondered about the limits of (local ?) product placement…. Here is a nice one: Check out the poster for the Indian movie English Vinglish – in the original (left) and in the Hong Kong  (right) version. While the original shows no brand – there is a rather large Starbucks logo visible in the Hong Kong version of the poster.

If you have seen the movie, you will, of course, recall that a key scene of the movie is indeed set in a coffee shop in New York, where the main actress is trying to order coffee. With little English and no idea what the choices are, and thanks to the quite rude (understatement) sales assistant (“I asked how you are today!”), she is driven to tears and decides to learn English (the scene is available here).

Not surprisingly the scene takes place in a generic coffee shop (“Woman not good. Café not good” comes a little later in the scene)… Not quite the setting that most brands wish to sponsor.  It may, therefore, be a little surprising that Starbucks appears in the poster.

Maybe, riding on the back of the international success of the movie, Starbucks decided to sponsor… well, … the poster? Or, maybe, a creative in Hong Kong decided that the quintessential New York street must feature Uncle Sam, a yellow cab, a Broadway musical – and a clearly visible Starbucks for added authenticity? In other words, what are you actually looking at when you are seeing the poster? A sponsored poster? Or one that just has a random brand? Is there “advertising” inside the “advertising”? And how can you tell?

gordieThe problem with product placements remains, that they are on the one side adding reality (frankly you will see a Starbucks somewhere in NYC) – but on the other hand, they are blurring the boundary between entertainment and advertising, leading to a range of ethical issues.

Ethical issues arise especially, because many companies will not even disclose which products (or brands) are placed in movies (or posters, by the look of it). So for example, in the picture on the right (taken from Gordie Shore, a UK version of Jersey Shore) – is the Dr Pepper just accidentally in focus (and the only brand visible)? There simply is no way of telling. And, although in the UK, programmes which feature product placement show a “P” briefly at the beginning, it is never clear if the particular product you see is being placed there – or not. Quite a conundrum!

Posted in Marketing Communications.

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Unilever & Social Media ROI

marmiteUnilever just announced that they will be curbing their social media spend – at least for some brands, as it doesn’t deliver enough return on investment. This is a really interesting case, as social media seems to work for them for some brands – but not for others. This could, of course have two reasons: The brands are simply not suitable for social media – or they used social media ineffectively. So in a rough and ready comparison I looked at two of their brands and how each brand used twitter:

First up: Marmite (@marmite).
First impressions: the twitter profile is clearly not very interactive, with little retweets or replies – no much of a communication going on there with the friends and followers.
The tweets themselves are all pretty much clearly a sales attempt: “Can you imagine a world without Marmite?” Followed a day later by “Finish the sentence: The thing I love most about Marmite is _____________” – and a bit of sales promotions thrown in: “RT & Follow by 5pm today for a chance to win a 250g jar of Marmite in our comp”

In short: Sales pitches, incentives and no interaction – everything that social media should NOT be! Marmite is an iconic brand, a brand that lives by the “love or hate” debate they created a few years back. Is it really surprising that Unilever found that the ROI from this sort of social media campaign was less than running sales promotions in shops?

Second one up: Lynx (@lynxeffect)
First impression: where are their tweets? It’s a whirl of interactivity there! Retweets galore, interactivity central … These guys are clearly having a conversation!
What are they talking about? The Lynx astronaut. “Girls want to marry him. Men want to marry him, too.” … ermm.. hold on… aren’t they supposed to be selling a deodorant? Well, it’s clearly more a lighthearted conversation about their advertising character. Scrolling a bit further back, the conversation also offers sales promotions – but not the “win a bottle of lynx” type… but it’s all about how to prepare a perfect Valentine’s day.
In short: Clearly “living the brand” – it’s about girls, fotty and astronauts here. Following and interacting with Lynx will get you lots of [kind of sexist but possibly] entertaining tips on how to be the best bloke, conversation and banter – and sales are a minimum. That’s clearly the Lynx brand personality. The result, according to Unilever, is that they want to maintain their Social Media engagement for the brand, because “it’s a good fit” and achieves good ROI.

I’d say – actually it’s more more good social media marketing: Few(er) people want to follow someone who doesn’t talk to you, and just bluntly promotes their product. Social media is about the social: In social media people connect with friends (and brands) on an affective, emotional and social level, therefore, social means the funny, engaging and “living your brand like a human” side.

Posted in Social Media Marketing.

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What makes good Social Media Marketing?

asianavenueIf asked about what is the secret of successful social media marketing… try the following: What makes good Social Media Marketing?

OK, that seems a bit too easy… so maybe a trip down memory lane might show up a few hints: Let’s remember who were the first “social networkers”… It’s a bit debatable, but a list of the first social media websites probably looks something like this:
1994: Gay.com
1997: SixDegrees.com
1999: AsianAvenue and BlackPlanet
2000: MiGente
… lots of websites in the middle…
2005: Facebook

Thus, apart from sixdegrees.com, all of the first social networking websites were targeted at minorities: sexual minorities or ethnic minorities (I have the feeling a few other minorities could probably be added to this – but I’m basing this on an article by boyd and Ellisson, who list the main social networking sites). The obvious question is why would this be the case? Well, a possible explanation might be that an important function of [online] social networks is social support, that is, they give members of a  community easy access to knowledge about practices and behaviours of “people like me” (aka ‘Mi Gente’ in Spanish). Therefore, the original social networks were a tool for free self-expression,  even for self-validation, in a world of a perceived hostile majority community. They enabled living out one’s ideas, one’s “real” identity, although “just” in a virtual space, where community members were “not the weirdest kids in their class”.

Of course, social media has spread well beyond ethnic or sexual minority groups. But, the mechanics are pretty much the same: People are using social networks to find and communicate with other people “like me”. Brands and products are subtle clues about finding other “people like me” in the real world: Think Abercrombie and gay (see this discussion, for example). In other words, if your brand has a signal status of belonging to a particular group, then social networks – online and offline, are going to talk about your brand, like your brand, maybe even follow your brand on social networks. Of course, at that stage most of the followers are already customers… they are part of the “brand community” (I use this a bit loosely here, sorry to my fellow marketing academics). So what can you do to increase your brands emotional bond to the community? Overt sales offers? Certainly not. Clear support for the agenda of your community? Most certainly yes!In other words: Act like a supportive friend. Like someone who really cares what happens to the community members – not someone who wants to sell something. Of course, that is actually simply good marketing: the definition of marketing from the AAA emphasises offering something “of value”.  In social networks the value of your offering is social – it’s the value of being a friend to your followers!

Posted in Social Media Marketing.


Oscar Tweetlight

Dear Social Media Marketers…

After yesterday’s Oscar celebrations, it appears some of you have not quite learned the first lesson of social media: Social media, such as twitter,  is for  people to communicate with each other.

So, for example, during the Oscars, many people used twitter (or other social networks) to communicate with their friends, family members, followers, etc – hey even with their favourite brands. What they were talking about were movies, dresses, actors and actresses. Of course, as a marketeer, or a brand, your very much invited to join the conversation. But please bear in mind, that on social networks your audience is there not to hear you selling something, but to hear you contributing the discussion.

Funny tweets, adding something are cool. Because they make your brand look good, and you appear like an active participant in the conversation. That’s what you marketers call building a “relationship”. Take this one (with image) by Nintendo: “And now, a special message from Bowser… RAWR Wreck-it Ralph got robbed” (image here: https://twitter.com/NintendoAmerica/status/305859830650896384/) – good one. Plenty of retweeds, taking part in the conversation. Making a point. The brand acting like a friend who wants to chat.

Compare this with “Lincoln may not know what a cell phone is but even he can appreciate Truly Unlimited data while on the Sprint network” (here) are just … [deleted due to trying to be nice]. It’s simple: Dear Sprint (and others like you – and there were plenty), if you don’t want to join the conversation, but disrupt the conversation by inserting sales messages then social networks are not for you.

Nobody follows a sales person to listen to them selling something. If you think social networks are like opt-in sales lists, where every conversation can be prepped up with a bit of sales talk… then please return to the drawing board. It doesn’t enhance the brand, it doesn’t create positive vibes, it doesn’t create positive relationships… it’s simply annoying.

Please remember, most of the people who follow you are probably your customers already… so why do you want to bore them with… a little more sales talk? In social media, your brand is “humanised”, it appears just as all other humans. So, act like a human, talk like a human. Then people will interact with your brand … like a human. Unfortunately, if your social media personality is annoying door to door sales person, many people will treat you exactly like that: They will close the door. Sorry!

Posted in Social Media Marketing.

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Why Social Media needs qualitative research – not numbers

smexplainedSocial media (and the wider Internet for that matter) is full of numbers that appear to be explaining things… from 57% of users of network Y doing X to 46% of users of website B coming from C. The problem with all these numbers is that, although they seem to explain what is going on – they mean we forget to understand why it is going on. This is especially true in the case of social networks: many researchers (and marketing “gurus” at the same time) seem to treat social networks, and by that I mean anything from the classic social networks to forums, groups, everywhere where people interact online, just like any other mass media channel. Talking big numbers, rather than small stories.

The problem is, that, for the most part, these researchers forget that actually twitter users are not the same as people who watch ITV1, while facebook users are not the same as people who listen to Capital Radio. What many people forget is that social media networks are, for the most part, made up of circles of friends (or people sharing a common interest) who are using social media technology to do what they want to do. As Hart put it in 1992: The internet is a “growing community of communities”, or as more modern authors would call it “Tribes”. That makes social media very different from a traditional media outlet, even a traditional media channel for the most part. Understanding that “tribe members” are there with a purpose means that in many ways, social media is probably more and more like person to person conversation, or telephone conversations. Yes, social media can be measured more easily than say telephone conversations (Wouldn’t it be fun, if we could say “37% of telephone users mention brand X when speaking to their friends”) – but really, social media is and remains a big conversation between distinct networks of friends. When I talk with someone on twitter it is nothing like a TV advert, but it simply is a conversation that is public… that may be between me and all followers, or it may be between me and just one friend. And the ultimate dynamics that are governing the conversation are not numbers and probabilities, but quite unique relationship dynamics. Dynamics that may, span across different social networks: For example, I may be responding to something a friend wrote on LinkedIn by means of sending a @tweet. Or in fact, conversations may be strongly influenced by relationship dynamics which go beyond social media sites, when taking to someone I know in real life. Yet, all the quantitative tools and amazing numbers that we have won’t account for that. Sentiment analysis simply doesn’t account for irony or “in jokes”.

Of course, quantitative numbers aren’t useless… far from it. But when it comes to human interactions they explain some, but not all of the dynamics that are at work. And more often than not, what they do forget is that social media is actually not one big audience – but simply circles of audiences, tribes – or simply a few humans speaking to each other using this technology. And many conversations and relationships online are just as unique as those in real life. So we need to understand, more than simply “numerise”, what is actually going on, if we are trying to make sense of consumers, followers, friends, contacts and whomever else we talk with…

Posted in Social Media Marketing.

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